Two More Legends reunite with Walt

This week two more Disney Legends are reuniting with Walt.  On Friday, June 3^rd, the perennial funny man of the Golden Horseshoe Revue, and voice of Jose in the Enchanted Tiki Room, Wally Boag passed away at the age of 90.  Then on Saturday, June 4^th, Betty Taylor, Sluefoot Sue, also from the Golden Horseshoe Revue, passed away at the age of 91.

It is truly a sad weekend in the Wonderful World of Disney.  L

Wallace Vincent “Wally” Boag was born in Portland, Oregon in 1920, and was in dance troupe by the age of 9.  By the age of 19 Wally was pursuing his comic chops in nightclub, theaters, and hotels around the world.  It was during an appearance at London’s Hippodrome that Wally brought a young girl on stage to help with his balloon act.  The girl, 12 year-old Julie Andrews, amazed the audience with voice, and was ultimately kept in the show.

After learn of auditions at Disneyland and winning the role in the Golden Horseshoe Revue, Wally joined the Disney Cast in 1955.  With his Pecos Bill character, and an almost infinite supply of broken teeth spit out during his act, and his signature balloon animals (Boagaloons), Wally and the Golden Horseshoe Revue are listed in the Guinness Book of World Records for having the most performances (number) of any theatrical presentation.   In 1963, Wally and Julie Andrews reunited on the Golden Horseshoe stage, along with the Dapper Dans, for a press-only event to promote the coming release of “Mary Poppins.” 

Along with his role as Pecos Bill, Wally also provided the voice of Jose, in The Enchanted Tiki Room, as well as writing the script for most of the show.  Boag also participated in the development of the “Haunted Mansion” in Disneyland, and Walt Disney had small roles written for him in “The Absent Minded Professor” and “Son of Flubber.”  Wally took Pecos Bill to Walt Disney World in 1971 and the Diamond Horseshoe Saloon, re-crafting the show into a faster and funnier Diamond Horseshoe Revue.  Wally returned to Disneyland 3 years later and finished his career entertaining guests at the Golden Horseshoe, retiring in 1982.  Wally was inducted as a Disney Legend in 1995, and has a window on Main Street in Disneyland.  The window above The Blue Ribbon Bakery reads, “Theatrical Agency – Golden Vaudeville Routines – Wally Boag, Prop.”

Betty Taylor joined the cast of the Golden Horseshoe Revue as “Slue Foot Sue,” in 1956, the spirited head of a group of dance hall girls, harkening back to the turn of the century saloons and dance halls that peppered to old west.  This saloon happened to be the Golden Horseshoe Saloon in Disneyland’s Frontierland.  Slue Foot Sue was the Saloon Owner and Co-host of the Golden Horseshoe Revue, a show she did, 3 times a day, 5 days a week, for over 30 years.  In almost 45,000 performances, she was the effervescent blond who never lost her youthful passion for playing Pecos Bill’s sweetheart.

Born in Seattle, Washington, Betty started taking dance lesson at the age of 3, and by 12 was appearing in her first professional production. At 18, Betty led her own band called “Betty and Her Beaus,” a band comprised of herself and 16 male musicians.  Betty also performed with “Sons of the Pioneers”, and western band formed by one of my other childhood heros, Leonard Slye.  Don’t recognized the name?  You may remember him better as Roy Rogers.  As well, Betty travel with big band leaders Les Brown, Henry Bussey, and Red Nichols, even doing a short stint in Las Vegas, with Frank Sinatra.

In 1956, readying to go out on the road again, Betty heard about auditions for a singer/dancer job at Disneyland, and she threw her garter onto to stage.  Betty was hired to play the role of “Slue Foot Sue,” a character she described as, “not a hard character, but rather like a Mae West or a Kitty on the vintage television series ‘Gunsmoke.’”  Betty, and the ten-person Revue troupe, even performed outside of the Disneyland on a few occasions, doing a USO tour of Greenland and Newfoundland in 1968, and even a performance at the White House for President Richard Nixon in 1970.  Walt Disney even asked her to do a variant of her Golden Horseshoe routine with Ed Wynn in an episode of the “Wonderful World of Color” television series.   Betty was inducted as a Disney Legend in 1995, alongside her Golden Horseshoe sweetheart Wally “Pecos Bill” Boag.

Wally Boag and Betty Taylor, as Pecos Bill and Slue Foot Sue, are but two of the many cast members who have helped Walt Disney create the magic that is Disneyland over the years.  But, they are two of Walt’s originals, and two who have set the standards for others to come.  They have left an indelible image on Disneyland that will be hard to match.  I only remember seeing the Golden Horseshoe Revue once in 1970, as I was unfortunately away from the Park from 1971 to 1997, but I can tell you that it is a performance that I remember to this day.  I am saddened by the fact that my children never got the chance to see these two magical entertainers perform, and too by their passing.  But, that sadness is tempered my memories of the joy and magic they created, if even briefly, in my life, and the thought that they have reunited with the man who brought them to us.

Here is to the hope that you all experiencing as much magic and amazement now as you created here.  

Wally, Betty, and Walt, thank you!!! 

Your comments or questions are always welcome.  If you have a correction or something you think I should look at in my research, please feel free to contact me at mr.grumpyguy@gmail.com

Mickey Mouse under attack. A corporate raid is afoot

When last we left, Walt Disney Productions and Mickey Mouse were under attack from investor and corporate raider Saul Steinberg.  Disney was an attractive target for a hostile takeover because it was really worth more in pieces then as a whole operation, and it appeared to be Mr. Steinberg’s intention to reap his profit by breaking up this operation and sell off the pieces.  Actually, it is more complex than stated above:

In March of 1984 Disney blipped on Steinberg’s radar as a company with significant cash potential and a reduced stock value, and he began buying Disney shares at $50.  In April he filed with the FTC and DOJ his intentions to buy as much as 25% of Disney’s shares.  Within a week of that filing he owned 12.2% of Disney.  Disney COB, Ray Watson, and CEO Ron Miller began to implement a first line of defense in this attack, by begin the acquisition of other companies in an effort to lessen Steinberg’s shares.  In May, Disney agreed to buy a Florida based land-development firm, Arvida for 3.3 million shares, almost 10% of its stock.  Steinberg sued to block the deal and lost in U.S district court.  Disney then moved to acquire Gibson Greetings, as Cincinnati based producer of cards and wrapping paper, for about 6.2 million shares of Disney stock.

With these moves threatening to reduce Steinberg’s Disney holdings to under 10%, and the appearance that he was losing his bid to take Disney over, he launched into phase II of his attack, and this is where the idea that he was going to sell of pieces of the company for a profit.  He formed MM Acquisitions (you’ve probably guessed it, but the MM stood for Disney’s own Mickey Mouse), and partnered with Kirk Kerkorian, the majority stockholder in MGM/UA, additionally enlisting investments from Fisher Financial and Development.  These investment deals included options, for Kerkorian’s investment of $75 million, to buy the Disney Studios and film library for $448 million, and Fisher’s similar investment gave it exclusive rights to buy undeveloped land in Florida near Walt Disneyworld and Epcot, and the Disneyland Park in California.  MM Acquisitions then offered to buy 37.9% of Disney’s stock for deal valued at about $970 million at the time.   The offering price, per share, was a third higher than the stock price paid few months earlier.  It was looking like this new offer had a good chance of succeeding, so in a series of meetings held in New York City, a deal was struck for Disney to buy back Steinberg’s approximately 4.2 million shares at a price of $70.83 a share or about $297.5 million,  a 32 million dollar profit.  Additionally, Disney agreed to pay another $28 million to cover Steinberg’s costs associated with the attempted hostile takeover.  For this, Steinberg agreed not to acquire any Disney stock for at least 10 years.

With the immediate crisis averted, Disney’s other stockholders and institutional investors were up in arms at Disney’s management acquiescence to this successful greenmail effort and the cost to their investments.  While Saul Steinberg reaped a healthy profit of nearly 10% for his “investment”, within days of the deal being struck, Disney stock drop $16 to $49.50, and almost 5% loss for all other investors.  An almost 32% loss if you gauge it from the price that Steinberg was offer for his shares.  Disney’s management had escaped to hostile takeover attempt with their jobs, for the time being, but, a new hazard loomed on the horizon for management.   While Disney management was fending off this hostile takeover, another was in the works from within the walls of Disney.  Roy E. Disney, son of founder Roy O. Disney, had left the day-to-day management of the company years earlier over concerns for the company’s direction, resigned the position he still held on the Disney Board, after bringing arranging for the Bass family to come as White Knight investors during the Steinberg bid to take over the company.  As still a significant minority interest stockholder, Roy launched his first Save Disney campaign after resigning.  Recognizing that Disney management had been seriously weaken by the Steinberg assault, the resulting deal, and stockholder anger, Roy E. enlisted the help of the Bass family, now the largest holder of Disney stock, and board member Stanley Gold to usher in new management for the company.  At Roy’s urging, COB Raymond Watson and President and CEO Ron Miller were replaced with the team of Michael Eisner as COB and CEO, and Frank Wells as President and COO.  While I can’t find support for a claim that it was a quid-pro-quo arrangement, but, for his efforts, Roy E. Disney was reinstated as a board member and made Vice Chairman of the Board.

Next we’ll start exploring the Eisner/Wells era at Disney, but first I’m going to catch up on some of the happenings at the Museum.

Your comments or questions are always welcome.  If you have a correction or something you think I should look at in my research, please feel free to contact me at mr.grumpyguy@gmail.com

The Next Chapter and Ron Miller Revisited

Having just recently finished Jack Lindquist’s memoir, “In Service to the Mouse, I felt it necessary to come back to my last two posts as I have found things I hadn’t heard or seen before.  As I had indicated in “The Next Chapter,” there is not a lot published on the management period between Roy O’s death and Michael Eisner arrival.  Jack Lindquist’s memoirs begin to address that void, and as a highly placed executive in the organization, instrumental in understand the period.

Probably one of the most significant points in Jack’s book relates to an observation of Ron Miller’s nature.  Jack’s assessment was that Ron was a very shy man, and probably didn’t really have the type of ego necessary to run and company like Disney.  Having had the opportunity to meet Ron, I can say that I can see that shyness in his demeanor.  At a height of about 6’4”, probably closer to 6’6” if I had to guess, and built – still – like the football tight-end he once was, he has what could be called an intimidating presence. I have known a few individuals like Ron, and have found it not uncommon for them to possess a real shyness as a result.  A little side note, give people a chance, you’ll often be surprised how wrong you can be in your expectations, and as said, having met Ron, you won’t find a nicer person, in my opinion.

Another side note:  It occurs to me that some may be questioning my use of first names being a little disrespectful or inconsiderate.  It is not intended to be either.  Walt, himself, set the standard by insisting that people call in Walt, and it has been my experience that this holds true even to this day within The Walt Disney Company and organizations associated with Walt Disney.  I use first name out of the uttermost of respect for the individuals I tell you about in these journals.

So, to get back to Ron Miller…  It is much easier to understand how Ron’s shyness might have been interpreted, viewed, and expressed by some, as detrimental to the company.  As has been expressed by many, successful leaders in most arenas but most especially the entertainment industry tend to be outgoing and with egos larger than most.  I still hold that, had Ron not loaded the bases for Eisner and Wells, they would not have been near as successful in the near term.

As I was reading Jack’s memoirs, I was a reminded of some passages from Bob Thomas book, “Building a Company.”  This book stated that even before Walt’s death in 1966, there was somewhat a division in management, and there were Walt’s boys and Roy’s boys.  The two camps, when encountering an issue with the other, would go to their leader with problems, and then let the brothers work it out.  When Roy passed away, I seem to remember that Donn Tatum as one of Roy’s guys, took over as CEO, with Card Walker (one of Walt’s boy) taking on the role of Executive VP and COO.  However, without the brothers’ dynamic relationship to work through issues and not Walt to advance the creative element, I think management did kind of devolve into a contest between the two camps to advance the philosophies of their respective departed leader.  There was a bit of “What would Walt do” going on, and this seems to be confirmed by Jack’s accounts.  Best I can tell Card Walker was very much Walt’s boy, and this too may have made it difficult for Ron, with his shyness, to exert his presences.  Even when Card retired, he still held a position on the Board, which probably still hampered Ron’s authority.  Jack relates a couple of stories where Card challenged him about raise the admission prices and Disneyland.   Jack also confirmed how much Card was against the creation of Touchstone, and adamant that the Studio remain true to the Disney fair of the past.  So, it is likely in my mind that Disney was struggle as Ron took over CEO position in 1983, and was given very little time to make any course correction before his ouster in 1984.  Shyness aside, Ron served up a company in position for Michael
Eisner to create his quick turnaround.

If Card Walker and Donn Tatum can be inducted into the Disney Legends, then as I have recently heard, Ron Miller should inducted for his contributions, his filmography as a producer alone should assure his induction.  For that matter, Diane should join her Mother Lillian and Aunt Edna in Legends Plaza.  Come on TWDC, isn’t it about time to correct this oversight?

Your comments or questions are always welcome.  If you have a correction or something you think I should look at in my research, please feel free to contact me at mr.grumpyguy@gmail.com